Vase with handle and lid
Large vase with two opposite C-shaped handles and round hollow foot on a square base; bulbous form with straight wall and sharp shoulder break; shoulder with very slight slope; short, straight neck and bulging rim lip; vessel wall painted in several colours, on one side floral arrangement with large yellow tulip in the centre and small blue and yellow flowers; on the opposite side the initials "G R" (=Georgius Rex) made of intertwined letters formed by garlands of small blue flowers and green leaves; mark on the bottom of the base: three crescents above a horizontal line (mark of the Hannoversch-Münden faience manufactory, which refers to the three crescents in the ancestral coat of arms of the von Hanstein family), below "K" (painter's mark). Lid: bell-shaped hollow lid with multiple offsets and pommel in the shape of a yellow acorn with green cap and mortise frame; mark on the inside: three crescents above a horizontal line, below "E" (painter's mark).
Acquired in 1940 from the art shop Emil Backhaus (1873-1955). Emil Backhaus had been working as an art and antiques dealer in Hanover since 1914 and moved into a residential and commercial building at Königstraße 12 in 1919. As a confidant of the customs investigation office, Backhaus checked Jewish removal goods with regard to cultural property and in some cases purchased goods himself that were excluded from being taken away. According to statements from the post-war period, from 1940 he maintained business relations in the occupied Netherlands, where his daughters moved in 1940, among others to the auction house van Marle & Bignell. From 1945, his business was under trustee administration because of his NSDAP membership.
Archivquellen: Bomann-Museum Celle, Archiv, Akte Eigenes + fremdes Eigentum, aufbewahrt in Schloß und Museum: Weltkrieg II (mit Verzeichnis der von Emil Backhaus eingelagerten Werke); Niedersächsisches Landesarchiv Hannover (NLA HA), Hann. 210 (OFP Hannover, diverse Vermögens- und Devisenangelegenheiten, darunter Hann. 210, Acc. 2004/023, Nr. 906 und Nr. 1317; Acc. 2004/025, Nr. 187 und Nr. 1152, Nr. 242, Nr. 1086 und 1087, Nr. 3885; NLA HA, Hann. 210 Acc. 2004/024, Nr. 3180 (Landesfinanzamt, Oberpräsident, Vermögensverwertungs- und Devisenstelle, Genehmigungsangelegenheiten); NLA HA, Nds. 171, Hann. Nr. 20034 (Entnazifizierungsverfahren); NLA HA, Nds. 210 Nr. 904/2 (Vermögenskontrollen Stadtkreis Hannover, 1947–1949); NLA HA, Nds. 401, Acc. 2015/69, Nr. 29; Nds. 110 W Acc. 14/99, Nr. 105654; Niedersächsisches Landesarchiv Wolfenbüttel (NLA Wf), 58 Nds. Fb.3 Zg. 62/1985, Teil 2, Nr. 23/032; Stadtarchiv Hannover, Einwohnermelde- und Gewerbekartei; Rechtsamt, Nr. 32, 45, 75; AAA Nr. 2392; HR 10 Nr. 1429; Stadtarchiv Celle, 29/III Nr. 89. Literatur: Galler, Christopher M.: Der Kunsthandel in Hannover. Bezugsquelle für die Sammlung des Bomann-Museums, in: Christopher M. Galler, Jochen Meiners (Hgg.): Regionaler Kunsthandel. Eine Herausforderung für die Provenienzforschung?! Celle 2022, S. 26–88; Externer Link
Bomann-Museum Celle
Schlossplatz 7
29221 Celle
Germany