Quai de Clichy. Temps gris (Opus 156) (Clichy Dock. Grey Weather [Opus 156])
on recto, lower right, inscribed in blue: “Opus 156”
on verso, upper right, inscribed in black: “22093”; upper centre, in blue: “… 16 [?]”; centre left, black stamp: “15”; lower left, inscribed in red chalk: “D 3233”; lower right, in black: “accent iles verts [?]”, “2993[?]”
vertical stretcher bar, black stamp: “Lasset et […?] Rue […]”; black stamp: “MODEL DEPOSÉ” [with the initial B in a rhomboid]
Marié of Malmaison, acquired in exchange for a bicycle
Delaporte, Malmaison
1925: Félix Fenéon, Paris
By 1927 until October 1940: Gaston Levy, Paris (all of the above per cat. rais., Gurlitt papers & exh. cat.)
After October 1940: probably seized by German authorities at Château Les Bouffards
(...)
Lotté
24 August 1943: Raphaël Gerard (per inscription)
20 November 1943: [A.] de la Chapelle [probably Galerie Bénézit, Paris]
(Probably acquired by Hildebrand Gurlitt in France after 1943, possibly from the above)
By latest December 1947: Hildebrand Gurlitt, Aschbach (per Gurlitt papers)
Thence by descent to Cornelius Gurlitt, Munich/Salzburg
From 6 May 2014: Estate of Cornelius Gurlitt
Kunstverwaltung des Bundes
Herbert-Bayer-Straße 5
13086 Berlin
Germany